KOTARO OSHIO TIME AFTER TIME PDF

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Kotaro Oshio was born in Osaka, Japan on February 1st, While there are many solo guitar players who play nylon-string iotaro, Oshio took the challenge of mastering a steel-string acoustic guitar in a highly unique style. From the whimsical to the bittersweet, Oshio brings science and poetry into perfect harmony. His music is full of emotions backed with state-of-the-art technique, often treated with percussive arrangement.

Oshio not only performs self-penned original tunes, but he also covers great music of various fields, from movie themes to animation themes to nursery rhymes to school songs. It was in December that Oshio recorded an album on his own as an indie effort.

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A two-hour special program on Oshio was also aired on nationwide cable radio networks around that time. Oshio also made a stunning debut at the prestigious Montreux Jazz Festival in July The talent of the guitarist was soon recognized by the national TV station NHK tome whom Oshio wrote and recorded the original main theme “Kaze no Kanata” for the documentary series that NHK produced about the Antarctica in commemoration of the 50th anniversary of the station’s founding.

Kotaro Oshio plays TIME AFTER TIME

While constantly keeping himself busy with live dates all over Japan, the second album “Dramatic” was released in June Living up to everyone’s expectation, “Dramatic” debuted on the national sales chart at 24, quite remarkable for an instrumental album. Oshio returned to Montreux Jazz Festival in July to fascinate more crowds.

The Jazz Club located just outside tome main Stravinski Hall was nearly ‘dominated’ by the solo guitarist who performed there for the last three nights of the festival. Oshio also opened the main stage on the last night for ZZ Top and one of the top Swiss rock bands Krokus.

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Kotaro Oshio Time After Time

It was on one of the nights when Oshio was asked to perform a few songs each for Chrissie Hynde The Pretenders and Cassandra Timf personally in the dressing room, receiving extremely high praise.

The album is again full of beautiful melodies and percussive rhythms, all generated on one guitar, and most of the tracks are familiar to people’s ears through TV commercials. TV program themes and movie. For a wider range dynamics, he adopted baritone guitar on jotaro

Twice at Montreux Jazz Festival was just not enough to satisfy Oshio’s desire as a live performer. In love with the beautiful site and people, he’s returning to the festival once again in Julyfor three afteg in a row.